Little Nemo in Slumberland by Winsor McCay, 22 October 1905
Detail of a Pabuji ki Phad, a painted story scroll from Rajasthan

Preserving the world's comics

Before they disappear. We find old comics from every country, scan them, and keep them free for anyone to read.

[Who we are]

World Comics Heritage is building a permanent home for the comic art, creators and stories of every country.

Comics are the most read and the least preserved part of a country's story.

Rabbits and monkeys bathing, from the Chōjū-giga scroll, Japan, 12th century
Chōjū-giga, Japan, 12th century. Often called the first manga.

[The problem]

Comics were printed on cheap paper, sold for a few rupees and thrown away once read. Publishers close, and their stock goes to the scrap dealer.

[Our answer]

We scan each comic to archival standard, give every creator a lifelong record, and keep it all free to read, in every country.

Every country

Every country has its own word for comics.

Each picture opens that country's archive: its history, its artists and its comics.

See every country

What we preserve

We keep more than the pages.

We also record who drew each comic, and what it meant to the people who grew up with it.

The next Sunday page of Little Nemo in Slumberland, 10 December 1905Little Nemo in Slumberland by Winsor McCay, 26 November 1905
A comic without its creator is a picture. A creator without the comic is a name.

The comic

Old issues, rare runs and original pages, scanned with care.

Portrait of HergéPortrait of Narayan DebnathPortrait of Machiko HasegawaPortrait of Quino

The artists

Hergé, Narayan Debnath, Machiko Hasegawa, Quino and thousands more, each with a lifelong WCH ID.

Browse all artists
People reading manga on the lawn of the Kyoto International Manga Museum

The story

Readers tell us, on camera, what a comic meant to them.

What we do

One archive for every country, open to everyone.

Run by ISAC Foundation as a non-profit, with universities as academic and legal partners.

Archive

Each country's comics, scanned to archival standard with university partners.

Find out more
A page of the Hokusai Manga sketchbooks

Archive record, example

Hokusai Manga

By
Katsushika Hokusai
From
Japan, 1814 to 1878
Scan
Every page, archival standard
Rights
Public domain

Registry

A lifelong WCH ID for every creator, linked to everything they made.

Find out more
Osamu Tezuka in 1951

WCH ID card, example

Osamu Tezuka

手塚 治虫

Role
Mangaka
Life
Japan, 1928 to 1989
Credited
76 works in the archive

Museum

A building where you can stand in front of the original page.

Find out more
The front of the Kyoto International Manga Museum

Research

Open to scholars, teachers and anyone learning to read a new language.

Find out more
Shelves of comics in a library reading room

Search in any script

चाचा चौधरी

  • Chacha Chaudhary

    Comic · India · 1971

  • Pran Kumar Sharma

    Artist · India · 1938 to 2014

The Kyoto International Manga Museum, a comics museum in a former school

Patrons

Help us preserve the archive for the next generation.

A USD 100 million endowment pays for the work, so the comics we preserve today are still here for the children who will read them tomorrow. The first USD 10 million opens the India archive and museum.

Become a Patron

Our goal

1M
pages scanned
10,000
creators recorded
1,000
filmed interviews
  1. Friend

    Any amount

    One page, one creator, one story

  2. Guardian

    USD 100K to 1M

    A rare collection or 100 creator records

  3. Heritage Patron

    USD 1M to 10M

    A publisher archive rescue or an oral history programme

  4. Founding Patron

    USD 10M and above

    A whole country's archive and museum, in your name

On tour

Come and see the collection.

We take original pages and rare comics to comic cons, book fairs and festivals. Meet the collection there, stand in front of the original page and watch artists draw.

School visits, talks and the WCH Store help keep the archive going.

A Pabuji ki Phad story scroll on show in a museum
A Pabuji ki Phad, a painted story scroll from Rajasthan, on show in a museum.

Publisher Exchange

Great characters deserve new readers.

Lucky Luke sells millions in Europe and is barely known in India. Nagraj has fifty million Indian readers and no presence in Europe.

  1. 1

    A publisher brings its catalogue into the archive and our exhibitions.

  2. 2

    We introduce the work to readers, translators and publishers where it is unknown.

  3. 3

    Two publishers swap heroes in new editions, and keep their rights and revenue.

Shelves and baskets of comics in the comic corner of the Matsukawa Village Library, Japan

Got old comics at home?

Let's preserve them together

We only use your details to reply to you.

Preserve the comics

The next hundred years of comics depend on what we preserve in the next ten.

Pictures: Little Nemo in Slumberland by Winsor McCay, 1905, public domain. Chōjū-giga, 12th century, public domain. Pabuji ki Phad scrolls, photos by Nomu420, CC BY-SA 3.0, and by Marc Chang Sing Pang, CC BY-SA 2.0. Hokusai Manga, public domain. Histoire de Mr Crépin by Rodolphe Töpffer, public domain. The Yellow Kid, 1897, public domain. Narayan Debnath, photo by Kushal Das, CC BY-SA 4.0. Hergé, Linus 1965, public domain. Machiko Hasegawa, Sankei Shimbun, public domain. Quino, photo by ActuaLitté, CC BY-SA 2.0. Matsukawa Village Library, photo by Asturio Cantabrio, CC BY-SA 4.0. Osamu Tezuka, 1951, public domain. Comic room of the National Central Library, Taiwan, photo by Solomon203, CC BY-SA 4.0. Kyoto International Manga Museum, photos by Kento Ikeda, Banzai Hiroaki and Tatyana Temirbulatova, CC BY 2.0. All via Wikimedia Commons.