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Denmark.

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Denmark

1913

In short

Danish comics are usually dated from 1913, when Storm P. drew De tre smaa Mænd og Nummermanden, counted as the first Danish comic with recurring characters and speech balloons.

Storm P.'s Peter og Ping and Mik's Ferd'nand found readers abroad, and during and after the Second World War home-grown strips such as Willy på Eventyr, Far til fire, Poeten og Lillemor, Rasmus Klump and the pantomime strip Alfredo flourished. From the 1970s a renaissance around the publisher Interpresse and the underground produced Claus Deleuran's Rejsen til Saturn and Peter Madsen's Valhalla, followed by newspaper strips such as Café, Egoland and Homo Metropolis and, after 2000, web comics, graphic novels and a relaunched Ping prize.

Comics from Denmark

From the shelf

Denmark in numbers · 01 • 04

92

44

1913

1980s

Artists

Artists from Denmark in the archive.

Comics from Denmark in the archive.

De tre smaa Mænd og Nummermanden, the earliest comic from Denmark in the archive.

The decade when the most new comics from Denmark began.

tegneserie

tegneserie · Comics from Denmark

History

Denmark in 5 chapters

  1. 1913

    to 1939

    Chapter 01

    Storm P. and the first strips

    Storm P.'s De tre smaa Mænd og Nummermanden (1913) is regarded as the first Danish comic with recurring characters and speech balloons, building on the Danish satire tradition. Storm P.'s Peter og Ping (1922) and Henning Dahl Mikkelsen's Ferd'nand (1937) became international successes, while Axel Ingvar's Prins Pilfinger and Arne Ungermann's realistic Hanne Hansen appeared at home.

    Cover of Ferd'nand
  2. 1940

    to 1956

    Chapter 02

    Wartime boom and the golden age

    Cut off from English-language competition during the war, Danish production thrived: Harry Nielsen began Willy på Eventyr in 1941 as a local continuation of a British strip, and Carlt and Styrmand Rask also date from this period. After the war Anders And & Co. arrived in March 1949, and Far til fire, Poeten og Lillemor (1950), Rasmus Klump (1951), Livets gang i Lidenlund (1953) and MOCO's Alfredo reflected growing prosperity, even as Tørk Haxthausen's book Opdragelse til terror attacked comics.

  3. 1966

    to 1983

    Chapter 03

    Magazines and the Danish renaissance

    Interpresse in Bagsværd published Seriemagasinet (1968 to 1984), Basserne (from 1972) and the horror magazine Gru, while Gutenberghus brought Franco-Belgian series to readers in fart og tempo (1966 to 1976). Freddy Milton, Rune T. Kidde and Peter Madsen debuted at Interpresse; Kidde co-founded the underground comics periodical På Stribe in 1977, the year Claus Deleuran's Rejsen til Saturn appeared, and the first Valhalla album sold out its 100,000 print run in 1979.

    Cover of Valhalla
  4. 1984

    to 1999

    Chapter 04

    Newspaper strips and albums

    Nikoline Werdelin's Café won Politiken's strip contest in 1984 and Ivar Gjørup's Egoland began the same year, joining Carsten Graabæk's Statsministeren (1982), Sussi Bech's Nofret (1986), Deleuran's Illustreret Danmarkshistorie for Folket (1987 to 1996) and Werdelin's Homo Metropolis (1994). The Ping prize was awarded from 1986 to 1996; sales fell in the late 1990s, but anthologies such as Fahrenheit and Achtung gave new artists a platform.

  5. 2000

    to today

    Chapter 05

    Web comics, graphic novels and new institutions

    Wulffmorgenthaler began as a web comic on DR's website, and the festival Komiks.dk, later Copenhagen Comics, started in 2004. Dansk Tegneserieråd was founded in 2009 and the Ping prize was relaunched in 2012, honouring works such as Halfdan Pisket's graphic novel trilogy about his father, while children's series such as Taynikma and Mira reached readers abroad.

Essentials

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