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35 artists 26 comics

Peru.

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Comics

Peru

1907

In short

Peruvian comics began in the illustrated press: a strip signed by Dumontel appeared in the weekly Don Quijote in 1873, followed by El Perú Ilustrado and the satirical Monos y Monadas.

Speech balloons arrived in 1922, and from 1947 newspaper strips such as Crose's Pachochín, Hernán Bartra's Boquellanta, David Málaga's Serrucho and Víctor Honigman's Supercholo, together with the magazine Avanzada (1953 to 1968), formed a golden age. From the late 1970s Juan Acevedo's El Cuy and the revived Monos y Monadas led a politically engaged scene, carried on since 2000 by fanzines such as Carboncito and by Jesús Cossio's documentary comics about political violence.

Peru in numbers · 01 • 04

35

26

1907

1950s

Artists

Artists from Peru in the archive.

Comics from Peru in the archive.

Monos y Monadas, the earliest comic from Peru in the archive.

The decade when the most new comics from Peru began.

historieta

historieta · Comics from Peru

History

Peru in 5 chapters

  1. 1873

    to 1921

    Chapter 01

    The illustrated press

    In 1873 Dumontel signed the strip Fragata sospechosa a la vista in the weekly Don Quijote, the earliest Peruvian comic usually cited. El Perú Ilustrado (1887 to 1892) published Julio Gálvez and Zenón Ramírez, and Monos y Monadas, founded by Leonidas Yerovi with Julio Málaga Grenet, printed political cartoons including some by Abraham Valdelomar.

  2. 1922

    to 1946

    Chapter 02

    Speech balloons

    American influence brought speech balloons in 1922 with El comisario Ted Micky by Gustavo Lama and Travesuras de Serrucho y Volatín by Jorge Vinatea Reinoso, followed in 1924 by Pedro Challe's Mataperradas de Gordete y Calambrito. In the mid-1940s Demetrio Peralta created a bandit hero for the magazine Palomilla that brought the Andes and its exploitation into Peruvian graphic humour.

  3. 1947

    to 1968

    Chapter 03

    The golden age of strips and Avanzada

    Crose's Pachochín appeared in 1947, and in the 1950s the daily Última Hora ran Hernán Bartra's Boquellanta (from 1952), Rubén Osorio's La cadena de oro and David Málaga's Serrucho. The magazine Avanzada (June 1953 to November 1968) gathered Osorio, Bartra and Javier Flórez del Águila, and El Comercio's Sunday supplement ran Víctor Honigman's Supercholo from 1957 to 1966.

  4. 1968

    to 1999

    Chapter 04

    Children's magazines and political humour

    Under the military government the children's comics magazine El Trome, issued weekly by Expreso, reached a mass readership. Monos y Monadas returned on 27 April 1978 under Nicolás Yerovi, with Carlos Tovar, Juan Acevedo, Marisa Godínez and Lázarus, and lasted until 1992, while Acevedo's El Cuy, begun in 1979, became one of his best-known creations.

  5. 2000

    to today

    Chapter 05

    Fanzines, documentary comics and new heroes

    The fanzine Carboncito ran 20 issues from 2001 to 2017, and Jesús Cossio's Rupay (2008, with Luis Rossell and Alfredo Villar) and Barbarie (2010) documented the political violence of the 1980s. Lakita's Tribadistas (2009) brought lesbian themes into Peruvian comics, regional groups such as Qosqomic in Cusco formed, and MED Comics put the superheroine La Chola Power on newsstands in 2014.

Essentials

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Essentials

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Artists

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